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2019 AIA Emerging Professionals Exhibit

The Center for Emerging Professionals sponsors an annual exhibit of architectural work, design, and art from the rising generation of architecture and design professionals. The exhibit is showcased on aia.org.

Deadline: August 6th, 2018 at 11:59pm ET

Submit!

The EP Exhibit is open to any architecture student, recent graduate, or architect licensed fewer than 10 years. Submissions from AIA and AIAS members receive priority for display, but the exhibit strives to be inclusive of all emerging professionals in architecture and design.

Personal projects or work in a firm, class, studio, or design competition are eligible.

Image credits: Collective Works designed a unique 200-seat temporary theatre in collaboration with the Old Vic Community Company, and the Community Developed Rise, a performance showcasing londoners’ hopes and fears about the environment. (Khuzema Hussain, AIA; Alasdair Dixon; Siri Zanelli; Christopher Daniel; Holly Barker)

AIA #ilookup Film Challenge - Voting Open for People's Choice

The American Institute of Architect’s third annual I Look Up Film Challenge invites architects and filmmakers to collaborate in bringing architectural stories to life. This year’s challenge calls for films that highlight projects and architects that are helping to change communities for the better.

From 9/21/2017 – 10/06/2017 Voting is open to the public. Choose the film that resonates with you.

See all the videos.

VOTE

Here are some examples from graduates of Architecture:

Graduates of Architecture of NYIT, Dan Horn and his team created a film about a community in the Philippines studying resilience strategies.

Category: Community Revitalization
Description: The ORLI+ video for the ‘I Look Up Film Challenge’ explores a blueprint for better where design professionals work hand in hand with communities in need, offering technical expertise at a time where climate induced disasters are becoming the new normal for coastal communities around the world. By empowering grassroots movements within at-risk communities and leveraging the strengths of existing culture, design professionals can help proliferate long term, holistic community resilience in the places and for the people that need it most. Driven by their own experiences living through Super-storm Sandy in 2012, and by the aftermath of Typhoon Haiyan in 2013, ORLI+ has been working with local communities on the Filipino island of Siargao. The goal is to leverage the strong youth surfing and skateboarding culture of Siargao into an opportunity to design and construct a new community center that will be constructed in the common built-language of the area, but with more resilient construction practices as an example of resilient building techniques for the island. The hope is to utilize the energy surrounding the new community center to catalyze further long-term environmental resilience movements in the area ranging from the built environment all the way to the health of the local reef systems.
Team: Daniel Horn, Alex Alaimo, Austin Reed, Leonel Ponce, Eric Olson
Filmed by: Luke Askelson and Daniel Horn
Category: Homelessness
Description: Homelessness in Los Angeles has increased 23% since 2016. The MADWORKSHOP Homeless Studio at the USC School of Architecture decided to do something about it. Our homeless epidemic is more than a humanitarian crisis, it is a call for action. This short film tells the story of eleven 4th year architecture students and their two instructors’ journey through the world of homelessness as they tackle real world design solutions for emergency stabilization housing. From nomadic and temporary shelters to the city supported and award winning Homes for Hope, the film follows the MADWORKSHOP Homeless Studio and their designs from the encampment all the way to City Hall. The Homeless are always thinking about architecture. It’s time we started thinking about them.
Category: Community Revitalization
Description: Auburn University’s Rural Studio program is changing the way students and community look at architecture.
Make sure to cast your vote by October 6th, 2017!

Robert A.M. Stern Wins 2017 AIA/ACSA Topaz Medallion

(via Architect Magazine)

Today, the American Institute of Architects and the Association of the Collegiate Schools of Architecture (ACSA) named Robert A.M. Stern, FAIA, as the 2017 winner of the AIA Topaz Medallion for Excellence in Architecture Education, the highest honor given to educators in architecture. The AIA has been granting individuals this award since 1976 for their dedication to education and influence over students of architecture.

Robert A.M. Stern, FAIA, was recognized by the AIA and the Association of Collegiate Schools of Architecture for his dedication to educating students of architecture.

Robert A.M. Stern, FAIA, was recognized by the AIA and the Association of Collegiate Schools of Architecture for his dedication to educating students of architecture.

“He loves the debate, the conversation,” says architect Deborah Berke, FAIA, who succeeded Stern as dean of the Yale School of Architecture this summer. “He wants to hear arguments and discussions.”

Stern has expressed his dedication to the advancement of architecture education and architectural innovation through his projects, teaching, and writing. After receiving an M.Arch. from Yale University in 1965, he co-founded Stern & Hagmann in 1969. He then returned to Columbia University as a professor of architecture and director of the Historic Preservation Program at the Graduate School of Architecture, Planning, and Preservation, where he lectured for more than 20 years while also managing major projects and holding various titles. His next firm, Robert A.M. Stern Architects (RAMSA) was founded in 1977. At RAMSA, Stern personally supervises the design of each project that the firm develops. The 300-person office functions as a teaching institution, producing both experienced alumni and eager-to-learn apprentices.

Photo courtesy of John Jacobson | Yale School of Architecture

Photo courtesy of John Jacobson | Yale School of Architecture

Since the birth of RAMSA, the terms New Urbanism and New Classical Architecture have been coined, and both describe styles in which Stern has always been fluent. RAMSA’s postmodern reputation for blending tradition with modernity has circulated around the world, and the firm’s success has made it one of the biggest in the world. In 1984, Stern received the AIA New York Chapter’s Medal of Honor and the Chapter’s President’s Award in 2001.

As an academic writer, he has published several books and papers, including New Directions in American Architecture (Braziller, 1969), Modern Classicism(Rizzoli, 1988), and his most recent, Pedagogy and Place: 100 Years of Architecture Education at Yale (Yale University Press, 2016).

Photo courtesy of Yale Alumni Magazine

Photo courtesy of Yale Alumni Magazine

The 2017 Topaz Medallion jury: Stephen Vogel, FAIA, University of Detroit; Mercy Geraldine Forbes Isais, Associate AIA, University of New Mexico; Sharon Johnston, FAIA, Johnston Marklee & Associates; Chere R. LeClair, AIA, LeClair Architects; Sarah Wahlgren, AIAS, American Institute of Architecture Students.

(via Architect Magazine)

MIT Mediated Matter Group Mixes Biology and Computer Engineering

(via FastCoDesign)

“The world of design has been subjugated by the rigors of manufacturing and mass production,” says Neri Oxman, an architect, designer, and director of the Mediated Matter research group within the MIT Media Lab. “Assembly lines have dictated a world of parts and have been framing the imagination of designers and architects who have been trained—like all of us—to think about their designs as assemblies of discrete parts with distinct functions.”

That’s a problem, Oxman argued at the 2016 AIA conference last week. Because while we may have a deep understanding of how the world works, our current fabrication technology isn’t sophisticated enough to put that knowledge to good use. “The engineering tools we use today—like finite element analysis or computational fluid dynamics—are tools that operate at a much higher resolution than the tools we use to actually build the materials and products in the environment,” she says.

The major key to unlocking better design, according to Oxman, is biomorphism, or looking to how the natural world operates and infusing that knowledge into how we design and build. This is what synthetic biology is about: mixing biology and computer engineering. “We look to the biological world to extract phenomenon,” she says.

Oxman argues that some of the best natural design is a gradient of a single material, for example bones and how their density changes throughout the body or skin and its multiple functions as a barrier and a way to disperse heat to keep our bodies cool. Rather than having compositions of many parts, Oxman wants to design single material systems with different attributes, like skin. To put her work in context, she says, today “synthetic biology is the computer science of the ’80s.”

Some of her research with how a single material could be manipulated through design include hacking silkworms to build architectural scale structures or 3-D printing a dress using a single material and using no sewing or stitching to create the silhouette, and a wearable that produces food. In the context of architecture, her eventual goal is to be able to create a single material that could be used to build a column that morphs into a beam that morphs into a window—no assembly required.

“The future of design is a future where anything material in the environment—whether it’s wearables, cars, buildings—can be designed with this variation of properties and relationship with the environment that can take part in the natural ecology,” Oxman says. “Hopefully it points towards a shift that goes beyond the age of assembly into the age of a new kind of organism.”

(via FastCoDesign)

Visit MIT’s profile page on StudyArchitecture.com!